Hailing from the fertile land of Wisconsin, Sarah Vos and Daniel Wolff met as youths sharing a similar sense of disenchantment having just dropped out of college and living again in the rural city of Oshkosh (B’Gosh). A time of deep reflection – coming to terms with sexuality and needing to find an identity outside of their families’ evangelical rhetoric – they forged ahead on their own, acoustic instruments in hand. They haven’t looked back since meeting nearly a decade ago (and have traveled most of North America in the process), but their songs, filled with both trauma and triumph, despair and hope, are just as much a reflection on the past as they are optimistic in brighter days to come.
First introduced to a national audience through tours with Trampled by Turtles and Mandolin Orange, Dead Horses have performed on such legendary stages as Red Rocks Amphitheater, and at festivals from Northwest String Summit to Red Wing Roots, Red Ants Pants to Bristol Rhythm and Roots.
Known for frontwoman Vos’ “aching, haunting vocals” (No Depression) and “evocative, empathetic storytelling” (NPR Music), Dead Horses’ sound bridges indie folk and their own Midwestern approach to Americana. Lyrically, the band explores the human condition from personal musings to observations of the current American experience, taking notes from every person and city they meet along the road.
Their critically acclaimed third album, My Mother the Moon, earned profiles from Billboard to Noisey to Democracy Now!, spots in Folk Alley’s and No Depression's "Best Folk/Roots Albums of 2018" lists, and Rolling Stone Country declared them an "Artist You Need to Know."
And it seems word made its way to London, as The Who selected Dead Horses as one of a handful of U.S. bands to open for them on their symphonic Moving On! tour this fall.
Hear it for yourself, a full U.S. tour is never far from sight. Dates are regularly added to the band’s calendar.